Zombie-Proof House at di Rosa

Di Rosa opens its summer exhibition in the Gatehouse Gallery with Zombie-Proof House, a meditation on anxiety and hope in a troubled time. This major group exhibition, organized by di Rosa curator Robert Wuilfe, explores recent history and potential futures as they relate to collapse, political upheaval and shared responsibility. Taking its tongue-in-cheek title from the recent predominance of zombies in language and pop culture, the exhibition approaches seemingly insurmountable issues with a sometimes darkly humorous sensibility. Artists include: Anthony Discenza, HalfLifers (Torsten Z. Burns and Anthony Discenza), Suzanne Husky, Inka Hoots (Joshua Short and Joel Dean Stockdill), Packard Jennings, Robin Lasser and Adrienne Pao, Whitney Lynn, Julio Cesar Morales, Lucy Puls, and Carol Selter. 
 
Zombie-Proof House includes work in a range of media including sculpture, video, photography, interactive installations, and a new artist-designed web project. While mindful of post-apocalyptic images and end-of-the-world scenarios, the exhibition also tries to expose some of the absurdity of paranoia and fear, grounding itself in the present and resuscitating the idea of hope and resistance. The artists in Zombie-Proof House share a real concern for the world around us, and examine our individual and shared roles in times of crisis.
 
Notions of shelter, architecture, borders or fortification are central in much of the artwork in the exhibition. The artists create environments and scenarios for the viewer to reflect upon recent crises, apprehension about the future and the potential for finding a better way forward. They engage with science, politics, economics, activism and pop culture, providing windows onto issues that affect both individuals and society at large. From examining the personal losses of the financial crisis or questioning anti-immigrant rhetoric, to addressing the climate crisis, or providing step-by-step guides to political protest, the projects in Zombie-Proof House ask viewers to recognize that a future guided by fear is not inevitable.